Text C Faith Irrelevance and Magical Realism(第1页)
TextCFaith,IrrelevandMagicalRealism
Christopher>
[1]Thetermmagicalrealismhasappearedinprintwithingfrequehepastfewdecades。Itowbefoundinavastnumberofuycoursedess,dissertationsaidithasreotableceinthepopularpress。Eveisingindustryhasretlybeguerestihoughitlongagolearocapitalizeonmagicalrealistvisualteiquesiforevermorenovelroducts。Themaiheattrastobethattheterm’sdistinorestsanuminousqualitytotheeveryday,anditthuspromisessomehowtorecilethemodern,ratioedsubjectoftheWestwithfottenbutrecoverablespiritualrealities。
[2]Inthedomaiudiesthispopularityhasytyicalrealismactuallyis,andsewtothefieldarelikelytobetedbyaradictoryattitudestowardstheterm。Oichasreferredtomagicalrealismasthe“literarylaheemergentpostialworld”,whileanotherhascalledit“littlemorethanabraicism”。Itbe“amajor,perhapsthemajor,poofpostmodernistfi”,oritbe“apossiblealterhenarrativelogiporarypicalrealismhasbyturnsbeenpraisedfaiculturalartisticrealityaedasdangerousandshallow。Ithasevenbeenaccusedofbeingunderpinnedbypernicious—evenracist—ideologies。Whilesuchdisciesarepartlytobeatedforbyideologicaldifferences,asacriticaltermmagicalrealismhas,uly,lackedwidespreaddefinitionalaicallegitimacy。
[3]Somecriticshaverespohisstateestiodoawaywiththetermmagicalrealismaltogether。Theproblemwithsuchasuggestiowerepossibletoimplement,isthatitighatthetenacityofthetermisdueioitsexplanatoryvalue。Thereisagrowingcorpusofliteraryworksthatdrawsupoionsofbothrealismandfantasyorfolktale,yetdoessoinsuchawaythathesetworealmsisabletreaterclaimtotruththahiscapacitytoresolvethetewodiscursivesystemsusuallythoughtofasmutuallyexclusivemuststitutethestartingpointforanyinquiryintomagicalrealism。Abriefsurveyofagicalrealisttexts—GabrielGarcíaMárquez’sOneHundredYearsofSolitude,IsabelAlleheHouseoftheSpirits,LauraEsquival’sLikeWaterforChocolate,SalmanRushdie’sMidnight’saaoniMorrison’sBeloved,Aer’sNightsatthedBenOkri’sTheFamishedRoad,forexample—willrevealthatwhattheseotherwisedifferesallhaveinonisthateachtreatsthesupernaturalasifiterfectlyacceptableaaofeverydaylife。AsRushdiesays,talkingofGarcíaMárquez,“impossiblethiantlyandquiteplausibly,outihemiddaysun”。Abasiitionofmagicalrealism,theasamodeofnarrationthathesupernaturalthatistosay,amodeinwhidfantastiaturalaural,aretlyrepreseateorousequivaleherhasagreaterclaimtotruthorreferentiality。
Notes
1。ChristopherWarnes:HeisaUyLeEnglishandaFellowofSt。JohnsCollege,Uye,UK。HeheldpreviappoiheUyofStellenbosch,SouthAfrica。HehaspublishedontfromporarySouthAfriliteraturetames。
2。GabrielGarcíaMárquez’sOneHundredYearsofSolitude:Itisaellsthemulti-geionalstoryoftheBuendíafamily,whosepatriarch,JoséArdía,fouownofMaetaphoribia。Theoryisnarratedviadifferenttimeframes,ateiquederivedfreerJeLuisBes(asinTheGardenPaths)。
3。LikeWaterforChocolate:Itisapopularnovelpublishedin1989byfirst-timeMexiovelistLauraEsquivel。Thenovelfollowsthestoryofayounggirlawholoirelifetomarryherlover,Pedro,buteverhavehimbeother’supholdiraditiodaughternbuttakingotheruntilthedayshedies。Titaisooexpressherselfwhenshecooks。
4。Midnight’s:Itisa1980bookbyBritishISalmadealswithIndia’stransitionfromBritishtoihepartitionofIndia。Itissideredaialliteratureandmagicalrealism。Thestoryistoldbyitschiefprotagonist,SaleemSinai,ahetextofactualhistoritsaswithhistoricalfi。
&isaheAmeriwriterToniMorrison,publishedin1987。ItisbasedooryoftheAfri-Amerislave,MargaretGaremporarilyescapedslaveryduring1856iuckybyfleeingtoOhio,afreestate。ApossearrivedtoretrieveherandherbytheFugitiveSlaveActof1850,whichgaveslavehttopursueslavesacrossstatebaretkilledhertwhterratherthaoberecaptured。
6。NightsattheCircus:ItisaishAer,firstpublishedin1984。ThenovelfothelifeasofSophieFevvers,awomanwhois—orsoshelebelieve—aeyvirgin,hatanegglaidbyunksaodevelopfullyfledgedwiimeofthestory,shehasbeeacelebratedaerialist,aestheyoungjournalistJackWalser,whorunsawaywiththedfallsintoaworldthathisjourshadnotpreparedhimtoenter。
7。TheFamishedRoad:ItistheBookerPrize-wiehorBenOkri。Thenovel,publishedin1991,followsAzaro,anabikuorspiritchild,livinginalikelyy。Thenovelemploysauivestyleingthespiritworldwiththe“real”worldinwhatsomehaveclassifiedasmagicalrealism。OthershavelabeleditaillothersplyovelfahebookexploitsthebeliefieualandmaterialworldsthatisadefiraditionalAfrilife。
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&oSee
1。DonnieDarko(2001)
ItisanAmeripsychologicalthrillerfilmwritteedbyRichardKelly。ThefilmdepictstherealitybeuresofthetitlecharacterasheseeksthemeaningandsignifidhistroublingDoomsday-relatedvisions。Withastrongtintofpostmodernism,thefilmmightfindsomespiratieBes’sstories。
2。Midnight’s(2012)
ItisafilmadaptationofSalmanRushdie’s1981hesameeedbyDeepaMehta,thefilmwasreleasedinlate2012。